Spirits. Workers. Kin. (2024) is a series of small glimmering and sombre artworks; gilded wooden panels covered with images of insects, molluscs and molds. Roughly 15 x 20 x 1,5 cm.
Spirits. Workers. Kin. exudes a sacred aura and draws upon Byzantine iconography, employing gold leaf to elevate simple beings—insects, fungi, microbes—into holy symbols. These “sacred detritivores” navigate the liminal space between life and death; through their invisible labor, they transform decay into growth, and death into life.
Spirits. Workers. Kin. can be seen as a visual meditation on the sanctity of natural cycles, including relapses of pain, trauma and conflict. Resonating with the words of Ursula K. Le Guin: “The forest is forever because it dies and dies and so lives.” With this small-scale, gilded tribute, Venus Jasper reminds us that even in decay, there is something sacred—and in the tiniest beings of life, a profound divinity.
Spirits. Workers. Kin. invites us to reconsider our relationship with these small yet indispensable creatures. Are they pests or vital kin? Are they entities, or merely organisms?